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RUDOLF EB.ER ⁞ EVIL MOISTURE ⁞ NACHT UND NEBEL ► RAMMEL CLUB
  • Rammel Club and Harbinger Sound present...

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    ► RUDOLF EB.ER


    http://www.runzelstirn-gurgelstock.net/

    Rudolf Eb.er’s rites and artefacts are portals to the traumatic expanses and abysses of human existence. Regarded as psychopomp or art-brut shamanist, his trail of work leads deep down to - and through - the nethermost regions of the human psyche.

    Rudolf Eb.er’s research de-occults the psychic body through psycho-physical tests and trainings. He employs and combines abreactive and cleansing actionism with sonic rituals, psychoactive acoustics and close-up fieldrecordings of nature and decay, generating audio-environments into which he plants grotesque psycho-magic rituals and tantric exercises that trigger a nondual, higher awareness.

    Rudolf Eb.er aka Runzelstirn & Gurgelstøck founded the Schimpfluch extreme and outsider artist collective in Zürich in 1987. Schimpfluch exponents are highly regarded for their unique and obscure aural and visual work; their confrontational, physically demanding performances and shock treatments remove the boundaries of the body and open up accesses to the collective unconscious.

    Rudolf Eb.er lives and works in Japan. His European tour is supported by "Pro Helvetia, Swiss Arts Council"

    ► EVIL MOISTURE


    http://evilmoisture.free.fr/

    Andy Bolus (Evil Moisture), whom one fan said he "almost preferred ...to Joseph Roemer", has worked since the early 90s in such fields as circuit bending (almost before this term really existed) and self-taught electronics allowing fabrication of basic synth building blocks, chaotic circuits, unusual ways of 'synchronizing' non-rhythmic sounds, alongside a use of magnetic tape (early evil moisture material was entirely edited by splicing tape) and electronics to produce a kind of low-fi musique concrete which would've no doubt been rejected by Ircams engineers as "technical fault, unlistenable", but it would've been rejected by Wattie of The Exploited as "fuckin shit" too, so whatever.. Recently he has been working more directly with tape 'live cutup', using multiple reel to reels, modified tape echos, and home made tapeloop delays, using as source material basic sounds such as oscillators, function generators ring modulated sounds, and home made microphone circuits such as ultrasonic (bat) detectors(http://evilmoisture.free.fr/bat/). In addition to many Evil Moisture releases he has also made exhibitions and books of his visual work, recently collaborating with the Danish artist Zven Balslev. He runs the label School Of Meat Cutting, releasing cassettes and also an ongoing series of "effects" and sound generators (examples here http://evilmoisture.free.fr/mangler/mashers.html). He also regularly does workshops where people can build such things as ghost detectors, optical theremins, noisy synths, and is teaching an ongoing project to make a haunted house in association with the Lycée Autogéré in Paris.

    ► NACHT UND NEBEL


    https://nachtundnebel.bandcamp.com/

    A delicately collaged swarm of hand spliced cello. Atmospheric and beguiling.

    ::: MONDAY 9th MARCH 2015 ::::



    at The Chameleon Arts Cafe - Nottingham
    (Old Market sq / alleyway in between Cardzone and Gamestation, 1st double door at the left and then straight up the stairs)

    8.30pm doors, 9.00pm START --
    adv. tickets = £5 / On the door = £6 (waged), £5 (unwaged)

    Advanced tickets via http://www.wegottickets.com/event/310211
  • I'm very pleased that, even if only for one night, this:
    image
    will be lurking at the end of an alleyway between Cardzone and Gamestation in Nottingham.

    I'd read that graphic novel

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